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		Only 
		God Forgives (0/10) 
		by Tony 
		Medley 
		Runtime 
		89 minutes. 
		Not for 
		children. 
		Even 
		God would find it difficult to forgive this piece of pseudo-stylistic 
		rubbish. It’s little more than a craven display of stomach-churning 
		graphic mayhem. Why a budding superstar like Ryan Gosling would attach 
		his persona to a thing like this is beyond comprehension. Exacerbating 
		its distastefulness are the opaque story-telling, the immoral message, 
		and the zombie like movements of the characters.  
		
		Writer/director Nicolas Winding Refn, who was responsible for Gosling’s 
		interesting film, Drive (2011), says he wanted to make a film 
		about someone fighting God. Instead he makes this monstrosity. Only from 
		the production notes was I able to discern the plot but knowing the plot 
		doesn’t make this any more palatable. Since it’s unlikely that anybody 
		reading this critique who gives it any value will actually see this, I 
		won’t bore you with any reference to Refn’s “plot,” except to say that 
		it has something to do with the mob and an Oedipus complex. But it’s 
		mostly just an excuse to show as much torture in as much graphic detail 
		as possible 
		There 
		isn’t a sympathetic character in the film. Chang (Vithaya Pansringarm) 
		is an avenging evil who walks like a zombie and kills without feeling. 
		His kills are shown in graphic, bloody detail. Gosling also walks around 
		like a zombie (they all do, actually), showing no emotion but killing 
		people nonetheless. Gosling and Chang end up being antagonists. But who 
		cares? There’s nobody in this film who inspires any feelings of 
		compassion. 
		Refn 
		films scenes that have no business on any screen. The MPAA to its 
		everlasting discredit gives this an R rating. I’ve never seen a film 
		that more deserved to be NC-17 for its gross, graphic torture scenes of 
		bloody killings. Graphically showing a character slowly excising a man’s 
		eye out with a knife and all the other mutilations apparently are no 
		more morally objectionable than showing a woman’s nipple, because the 
		latter will always result in an the very same R rating the MPAA awards 
		this. This is just another example of many that there is something 
		dreadfully wrong with Hollywood values and that the problem starts at 
		the top. 
		June 
		19, 2013       |