The Bucket List (8/10)
by Tony Medley
It would take a terrible
writer and director, indeed, to make a movie co-starring Jack Nicholson
and Morgan Freeman and come up with a dud. Fortunately, director Rob
Reiner, (A Few Good Men, 1992, and When Harry Met Sally,
1989, among others), and screenwriter Justin Bakeman are too smart to
screw this one up.
However, that said, the
people who are promoting the film have done their best to screw it up.
There is one very funny line in the movie, when Nicholson tells his
assistant, “Nobody cares what you think,” but the geniuses promoting
this film have put it in the trailer and it is completely out of
context. What makes the line funny is what comes before. The line is
unexpected, and very funny. But it’s not unexpected any more because the
PR people who made the trailer have telegraphed it. It’s a shame that
people with no taste do this to films. If they had the confidence in
this film that they should have, all they have to do is promote it by
advertising that it’s Jack Nicholson and Morgan Freeman together. Would
you have to include spoilers in a trailer with a film starring Richard
Burton and Peter O’Toole? No way. So why include a spoiler in a film
starring Nicholson and Freeman? Their presence alone is enough to draw
an audience.
Edward Cole (Nicholson) and
Carter Chambers (Freeman) are both terminally ill patients in one of
Cole’s hospitals. Cole is a megamillionaire and Carter is a mechanic who
forsook his ambition to become a college professor to educate his
children with a relatively menial job. We know he’s smart because he
answers all the questions on Jeopardy before the contestants.
Carter is starting a list he calls The Bucket List, a list of things you
should do before you die, or kick the bucket.
Cole thinks this is a great
idea and convinces Carter to amplify his list and the two set off, at
Cole’s expense, to experience things they have always wanted to do. This
could have been pretty lame, but Bakeman has written an intuitive script
that allows the two to argue about the meaning of life, each from his
own perspective. What is particularly invigorating about the movie is
that it doesn’t force one point of view down your throat at the expense
of the other. Cole is pretty much an agnostic while Carter is a
believer. They exchange their views frankly and without pandering.
In addition to the
psychology of the film, the great acting, and terrific script, it’s also
a pretty good travelogue as Cole and Chambers go to places like the Taj
Mahal, the Alps, the Great Wall of China, and other landmarks, including
one of them skydiving over a citrus grove I used to own in Riverside
County!
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