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      Eight Below (9/10) 
      by Tony Medley 
      After seeing this movie, I 
      realized that Terrence Malick (The New World, The Thin Red Line) is 
      working in the wrong genre. He should be making animal movies, where long 
      shots of creatures thinking work well. Since animals, in this instance 
      dogs, can’t speak, the only way to convey an idea is to show them 
      thinking. Disney and director Frank Marshall know how to do this. Somehow 
      they can make a real live animal appear as if it is thinking and reasoning 
      like a human being, and can somehow get us to believe that its facial 
      expressions are indicative of what it’s thinking. 
      Jerry Shepard (Paul Walker) is 
      a survival guide in Antarctica. His task is to guide Davis McClaren (Bruce 
      Greenwood) to a mountain so Davis can look for a rock from the planet 
      Mercury. A big storm is coming in, so they have to go by dog train. The 
      storm hits, bad things happen, and everyone has to abandon the dogs, much 
      to Jerry’s chagrin. Jerry spends the rest of the movie trying to get back 
      to Antarctica to save them, while we watch as the locale shifts between 
      Jerry trying to arrange to get back and the dogs’ adventures in the wilds 
      trying to survive. 
      This is the story of how eight 
      domesticated dogs, chained up when Jerry and his team depart, survive a 
      winter in Antarctica with no one to care for them and feed them. The real 
      star of the film, however, is never seen, head animal trainer Mike 
      Alexander. The dogs trained for many months. Their initial training was 
      about conveying emotion. “Frank wanted as many small, expressive movements 
      that we could come up with, so we taught them a lot of different head 
      movements along with snarls and grins, “ says Alexander. “We also spent a 
      lot of time working with the dogs playing Max and Maya to get them to 
      interact intimately with each other, kissing each other and nuzzling each 
      other all the time.” 
      The interaction of the dogs 
      throughout their time trying to survive alone is remarkable. “They are 
      very social beings, these dogs,” says Alexander. “But the interesting 
      thing is that they worked out their own social hierarchy in a way that 
      basically matched the characters in the film. It just worked out to match 
      the script, which I thought was incredible.” 
      “Eight Below” is inspired by a 
      1983 Japanese film, “Nankyoku Monogatari,” which was the highest-grossing 
      Japanese film of its time, holding box-office records for more than a 
      decade.  “Nankyoku Monogatari,” in turn, was based on a real life incident 
      that occurred in 1957. Screenwriter David DiGilio, a young writer in 
      Disney’s New Writers program got the assignment and set the story to 1993, 
      the last year that sled dog teams were allowed to work in Antarctica. 
      Despite their long-standing status as essential members of numerous 
      important expeditions, they were banned to protect the continent’s seals 
      from exposure to distemper. 
      Each of the dogs has its own 
      personality. Max, for example, starts at the bottom as a novice, but we 
      see him develop into an adult, accepting responsibility so that, in the 
      end, he is the most reliable of them all. 
      Marshall does such an effective 
      job of creating the cold environment (shot in Canada and Greenland) that I 
      was cold throughout almost the entire movie. If you go see this, dress 
      warmly because the cold is palpable. 
      As entertaining as the film is, 
      it is too long, running almost two hours. I liked it, but I would have 
      liked it more if it had been about 20 minutes shorter. 
      February 19, 2006  |