The Equalizer 3 (5/10)
by Tony Medley
130 minutes
R.
Director
Antoine Fuqua and Denzel Washington
have had a fertile relationship with some reasonably entertaining
movies. Alas, this time Fuqua brought his trademark grisly violence but
forgot a believable story.
They telegraph
that what you are about to see is nonsense by an opening sequence that
is utterly absurd, and that continues throughout the film. Robert McCall
(Washington) is that hoary character, a vicious government assassin who
is turning over a new leaf and wants to be a normal guy. Wounded from
his last encounter he comes to an Italian village and takes on the local
Mafia.
That might make
for a good film, but the problem is that this film makes no sense
whatsoever. There are no believable relationships; McCall is never seen
to be in any danger even though he constantly puts himself into
ludicrous situations, always emerging unscathed.
I guess there’s
supposed to be some non-romantic chemistry between Washington and Dakota
Fanning who plays some sort of US government agent, but that totally
fizzles. Exacerbating the lack of verisimilitude, Washington has put on
a lot of weight and it’s a real stretch to think this guy could engage
in combat with young men and generally escape to fight again.
Filmed in southern
Italy, the two things good about it are the scenery and cinematography.
But the denouement is so ridiculous that what came before just validates
the idea that Fuqua really didn’t have any idea where to go with this,
so he just winged it.
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