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		The Ghost Writer (8/10) 
		by Tony Medley 
		Run time 128 Minutes. 
		Not for children. 
		Roman Polanski admitted in court to drugging and 
		raping a 13-year-old girl in Los Angeles and then ran away (click
		here for 
		details). 
		
		Almost as reprehensible, his newest film paints Tony Blair and the USA 
		as the bad guys in the war against terror. The CIA is pictured 
		as evil as The Gestapo.  
		But he is also a talented filmmaker with 
		leftwing credentials which is why the Hollywood left, like Whoopi 
		Goldberg, flocked to his defense when the Los Angeles District Attorney, 
		Steve Cooley, made his attempt to get Polanski back to face justice (to 
		see a partial list of celebrities who flocked to his support, go to 
		http://www.indiewire.com/article/over_100_in_film_community_sign_polanski_petition/P1/). 
		An 
		author (Ewan McGregor), who is not named throughout the movie, is hired 
		to be a ghostwriter for former British Prime Minister Adam Lang (Pierce 
		Brosnan), clearly patterned after Blair. During the course of his 
		research, he discovers tantalizing secrets. This plunges him into 
		intrigue involving Lang’s wife Ruth (Olivia Williams, who repeats the 
		excellent performance she gave in last year’s “An Education”) and Lang’s 
		aide Amelia Bly (Kim Cattrall, who, freed from the constraints of “Sex 
		and the City,” shines in a difficult role) and some other people he 
		discovers.  Joining McGregor, Brosnan, Williams, and Cattrall in an 
		excellent cast are Tom Wilkinson, Eli Wallach, Timothy Hutton, and Jim 
		Belushi. Wilkinson gives another award-quality performance. 
		Similar to 
		Polanski, Lang is trying to avoid a war crimes trial, so is living on an 
		island off the east coast of the United States where he’s protected by 
		the U.S. government, which might be a metaphor for Polanski living in 
		Europe to avoid American justice. Because of Polanski's fugitive 
		status in the U.S., this was filmed on location in Germany and at Studio 
		Babelsberg. 
		McGregor calls Polanski one of our great living 
		directors. He says that on the first day of shooting they worked 22 
		hours straight in a shoot that took three months. Polanski, who has 
		co-writer credit with Robert Harris, who wrote the novel, “The Ghost,” 
		upon which the film is based, exhibits Hitchcockian talent in many of 
		his scenes. Like Hitchcock, Polanski imbues the shot of an object, like 
		a house, with such sinister implications it creates tension in and of 
		itself. The ambience Polanski creates keeping the tension at a high level 
		throughout the film is greatly enhanced by the exceptional music of Alexandre Desplat. 
		Even so, it’s hard to comprehend why Hollywood 
		continues to produce films that attack the United States for fighting 
		Islamic extremists, but don’t make any films attacking the extremists. 
		But this is a very enjoyable film, despite its POV. 
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