The Kingdom(10/10)
by Tony Medley
Finally, a Hollywood movie
about American military involvement in the Middle Eastern War on Terror
that shows America in a positive light. Director Peter Berg has taken a
good script by Matthew Michael Carnahan about a terrorist attack on
Americans in Saudi Arabia, based on a real 2003 incident, and produced
an action-packed, high tension film with exceptional special effects
that put the viewer in the middle of the mayhem.
Especially effective are
the cinéma vérité-like camera work by Mauro
Fiore and the music by Danny Elfman.
Ronald Fleury (Jamie Foxx)
is an FBI agent who takes matters into his own hands when his superiors
are reluctant to allow him to go to Saudi Arabia and get involved in the
horrible attack. He takes his partners, Grant Sykes (Chris Cooper),
Janet Mayes (Jennifer Garner), and Adam Leavitt (Jason Bateman) with him
for a quick trip to Saudi Arabia to try to find those responsible. Once
there, he finds himself under the tether of Colonel Faris Al Ghazi (Ashraf
Barhom).
Berg captures the horror of
terror attacks several times during the film. One of the more memorable
occurs when a suicide bomber blows himself up when we least expect it
and it feels as if we are standing right next to him. Although the
actors are good, this is a director’s movie. Berg keeps the interest and
tension at a high level throughout.
Berg says that he wasn’t
“looking to make a jingoistic all-American film about a group of
Americans that come and kick ass in an Arab culture. We’re politically
neutral in the film. If we go after anyone, it’s violent extremism. This
movie is about Americans and Arabs working together in a very decent and
human way.”
Maybe so, but it came
across to me in a very positive light. Maybe there are some Arabs who
are like Colonel Al Ghazi, but there are certainly lots of Americans
like Fleury, Sykes, Mayes, and Leavitt, and it’s rewarding to see a
World War II-type film lauding Americans finally come out of this war on
terror.
I didn’t really detect any
message in the film until the end, and the message I got from the end of
the film certainly captures the realistic outlook for the world.
Regardless of whether or not Berg & Co. were sending a message, or the
message someone might get out of it, in the end a film should be
entertaining, and this one is, in spades. There is not a second of
slowness or frivolous talk.
September 27, 2007
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